You see a song title and four band names. All start with “The.” Only one actually cut the track. Tap the real crew, ignore the posers. No karaoke. No essays. Just quick picks and vibes that make sense.
Do decade math and trust your ear. Beatles/Stones era? Cure synths? Police reggae snap? Picture the voice, the snare, the chorus lift. If the name looks right but the timeline feels off, pass. Trust the hook your brain already hums.
Beware twins: The ____ Brothers, The ____ Five, sound-alike bands. All sizzle, no facts. Click with confidence. Miss one? Cool. Shake it out, sip water, next card. Streak big, brag small—your cat’s still judging.
[D] The Beatles | Written by McCartney to comfort young Julian during his parents' divorce, this seven-minute masterpiece became the band's longest-running chart-topper.
2/38
Light My Fire?
[B] The Doors | Robby Krieger penned this psychedelic classic featuring Ray Manzarek's swirling organ solo that Jim Morrison initially doubted would succeed.
3/38
Roxanne?
[D] The Police | Named after a poster in a Parisian red-light district, Sting's vocal acrobatics transform a tale of forbidden love.
4/38
Satisfaction?
[A] The Rolling Stones | Keith Richards dreamed the iconic fuzz-guitar riff, recorded it half-asleep, then forgot until hearing the tape next morning.
5/38
Kokomo?
[B] The Beach Boys | Their first number-one hit without Brian Wilson, this Caribbean fantasy sparked renewed popularity via Tom Cruise's Cocktail soundtrack.
6/38
Pinball Wizard?
[C] The Who | Pete Townshend wrote this Tommy highlight specifically to impress influential rock critic Nik Cohn, who loved pinball machines.
7/38
Should I Stay or Should I Go?
[A] The Clash | Mick Jones sang backup vocals in Spanish with Joe Ely's band, creating punk's most indecisive yet infectious anthem.
8/38
Lovesong?
[B] The Cure | Robert Smith penned this uncharacteristically optimistic love letter as a wedding gift to his wife Mary Poole.
9/38
Ramblin' Man?
[D] The Allman Brothers Band | Dickey Betts wrote this highway hymn after seeing a road sign for Ramblin' Road while touring through Georgia.
10/38
The Lion Sleeps Tonight?
[C] The Tokens | This doo-wop adaptation of Solomon Linda's "Mbube" became embroiled in decades of copyright disputes over African musical heritage.
11/38
Don't Get Me Wrong?
[A] The Pretenders | Chrissie Hynde's jangly confession about romantic uncertainty perfectly captured mid-80s new wave sophistication with timeless pop sensibility.
12/38
She Talks to Angels?
[B] The Black Crowes | Chris Robinson wrote this haunting acoustic ballad about a mysterious woman he met at an Atlanta nightclub.
13/38
Linger?
[C] The Cranberries | Dolores O'Riordan combined her distinctive yodeling technique with lush strings, creating Ireland's most successful international breakthrough of the 90s.
14/38
How to Save a Life?
[A] The Fray | Isaac Slade drew from his mentoring experience with troubled teens, crafting an emotional piano ballad about intervention and regret.
15/38
Mr. Brightside?
[D] The Killers | Brandon Flowers channeled romantic jealousy into indie rock's most enduring anthem, still charting in Britain years after release.
16/38
Pretty Fly (for a White Guy)?
[C] The Offspring | Dexter Holland's satirical take on suburban cultural appropriation includes a German counting intro borrowed from Def Leppard's "Rock of Ages."
17/38
Bullet with Butterfly Wings?
[D] The Smashing Pumpkins | Billy Corgan's existential rage spawned alternative rock's most quotable line about rats in cages and perceived powerlessness.
18/38
The Boy with the Thorn in His Side?
[B] The Smiths | Morrissey's metaphorical thorn represents music industry rejection, wrapped in Johnny Marr's shimmering guitar work and melancholic beauty.
19/38
The Freshmen?
[D] The Verve Pipe | Brian Vander Ark explored collegiate guilt and abortion's emotional aftermath, creating 90s alternative radio's most controversial slow-burn hit.
20/38
One Headlight?
[A] The Wallflowers | Jakob Dylan's metaphor for death and loss earned him a Grammy, proving he could escape his father's shadow.
21/38
Love Shack?
[C] The B-52's | Kate Pierson sang about a real Georgia cabin near Athens where the band partied before fame struck.
22/38
Lump?
[B] The Presidents of the United States of America | Chris Ballew's absurdist two-string bassline drove this nonsensical tale about mysterious swamp creatures to platinum success.
23/38
The Impression That I Get?
[B] The Mighty Mighty Bosstones | Dicky Barrett pondered untested courage while plaid-clad horn sections brought third-wave ska to mainstream American radio.
24/38
Seven Nation Army?
[C] The White Stripes | Jack White's pitch-shifted guitar mimics a bass, creating soccer stadiums' favorite chant from Detroit garage rock minimalism.
25/38
You Might Think?
[A] The Cars | Ric Ocasek's new wave earworm featured groundbreaking computer animation starring a miniaturized version of himself pursuing model Susan Gallagher.
26/38
Come Dancing?
[D] The Kinks | Ray Davies nostalgically recalled his sister's courtship at local dance halls before suburbanization changed British social life forever.
27/38
I'm Gonna Be (500 Miles)?
[C] The Proclaimers | Scottish twins Craig and Charlie Reid's devotional march became an unexpected American hit through Benny & Joon's soundtrack placement.
28/38
Eye in the Sky?
[B] The Alan Parsons Project | Alan Parsons channeled casino surveillance cameras and Orwellian themes into soft rock's smoothest paranoia anthem ever recorded.
29/38
Wake Up Little Susie?
[A] The Everly Brothers | Don and Phil's harmony masterpiece about innocent oversleeping was banned by Boston radio for suggesting teenage impropriety.
30/38
What a Fool Believes?
[D] The Doobie Brothers | Michael McDonald and Kenny Loggins co-wrote this yacht rock pinnacle about delusional romantic nostalgia and self-deception.
31/38
We Got the Beat?
[D] The Go-Go's | Charlotte Caffey's surf-punk drumbeat powered America's first all-female band writing their own material to chart supremacy.
32/38
Sweet Jane?
[A] The Velvet Underground | Lou Reed's deceptively simple three-chord progression masks complex observations about conformity, rebellion, and rock's redemptive power.
33/38
ABC?
[C] The Jackson 5 | Berry Gordy's educational bubblegum formula taught America's children spelling while Michael's voice taught them soul.
34/38
My Girl?
[B] The Temptations | Smokey Robinson and Ronald White's masterpiece features David Ruffin's lead vocals over that immortal bassline everyone instantly recognizes.
35/38
I'm a Believer?
[C] The Monkees | Neil Diamond's composition became the prefab four's biggest hit, outselling the Beatles during 1967's psychedelic revolution.
36/38
Take It Off?
[D] The Donnas | Brett Anderson's power-chord party starter proved that female garage rockers could match any male band's rebellious energy.
37/38
The Weight?
[A] The Band | Robbie Robertson's biblical Americana tells interconnected tales of small-town characters, creating rock's most mysterious yet universally beloved story-song.
38/38
Reptilia?
[B] The Strokes | Julian Casablancas' staccato vocals race against dueling guitars, epitomizing Lower East Side's early-2000s rock revival in three tense minutes.