Two Clues, One TV Show — Can You Get It?

[B] Sesame Street | Muppets, monsters, and cheerful humans turn alphabet lessons into a city block full of friends.

[B] Twilight Zone | Serling's cigarette-slim introductions lead straight into morality tales where reality bends without warning.

[C] Family Guy | Cutaway gags, talking dog philosophy, and reckless satire push this animated family far past tasteful.

[A] Fat Albert | Animated kids in a junkyard band teach life lessons between goofy catchphrases and chunky drumbeats.

[B] Murphy Brown | A sharp-tongued news anchor battles network bosses, politicians, and occasionally her own revolving-door secretaries.

[D] Prison Break | Blueprint tattoos, elaborate schemes, and family loyalty fuel an escape plan just insane enough.

[A] Wagon Train | Pioneers inch wagons westward; every campfire stop becomes another morality tale on the prairie.

[D] Get Smart | Maxwell Smart fumbles spycraft so badly that gadgets, doors, and phones become running slapstick routines.

[C] Doctor Who | A time-traveling alien in a blue police box quietly turns British eccentricity into universe-saving heroics.

[D] Odd Couple | One neat freak, one walking disaster; the apartment becomes a weekly experiment in roommate tolerance.

[B] 30 Rock | Behind-the-scenes chaos at an NBC sketch show lets Tina Fey parody television and herself.

[C] Wonder Years | Nostalgic narration walks through school dances, backyard games, and heartbreaks of growing up suburban.

[D] Growing Pains | A wholesome sitcom family launches teen crushes, future stars, and surprisingly emotional very-special episodes.

[C] Brady Bunch | Six kids, one blended family, and a staircase famous enough to deserve its own credit.

[B] 60 Minutes | Ticking stopwatch, tough interviews, and long-form stories turned this newsmagazine into Sunday-night appointment television.

[A] Perry Mason | Television's original courtroom closer; the defense always finds one last witness to flip everything.

[C] West Wing | Walk-and-talk dialogue sprints through the White House, making policy arguments sound almost like music.

[A] Green Acres | City slickers trade skyscrapers for tractors; every episode laughs at glamorous people stuck in mud.

[C] Miami Vice | Pastel suits, fast boats and synth beats turned this neon cop drama into pure eighties style.

[A] Chicago Hope | Prestige nineties hospital drama where surgeries, ethics debates, and Chicago skylines compete for attention.

[A] Boston Legal | Spader and Shatner chew scenery as eccentric lawyers; every case turns into wild closing speeches.

[A] Twin Peaks | Cherry pie, damn fine coffee, and surreal owls circle a murder mystery no one truly solves.

[C] Fear Factor | Contestants eat bugs, dangle from helicopters, and pretend prize money makes terror feel reasonable.

[C] Arrested Development | The disastrously selfish Bluth family proves even model homes can collapse under endless running gags.

[D] Star Trek | Starship crews boldly wander space, meeting rubber-forehead aliens while sneaking in surprisingly thoughtful allegories.

[D] American Idol | Ordinary singers step onstage; winners leave as pop brands, complete with sob stories and key-changes.

[A] Home Improvement | Tool-show mishaps, grunting dad energy, and a neighbor whose face never fully appears over the fence.

[C] Ugly Betty | Unfashionable assistant storms a glossy magazine office and quietly outgrows every shallow person around her.