LiteratureChildren

Who Wrote This Kid Classic? (1)

Match each beloved title to its author.

Who Wrote This Kid Classic? (1)
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About This Quiz

Remember the book that lured you under the covers with a flashlight? Somewhere in this quiz hides the writer who stole your bedtime. From wild rumpuses to rivers of chocolate, these authors shaped your imagination before you even knew it needed molding.

You’ll meet the rebels who left kids alone in the dark, the optimists who painted hope in watercolor, and the lovable weirdo who turned their baggage into bedtime gold. Picture books that taught you letters, chapter books that taught you tears, and the oddball titles your folks still don’t get.

Can you pair the spell-casters with their classics? Your inner kid’s watching—and judging.

1/30

Where the Wild Things Are?

[B] Maurice Sendak | Originally titled "Where the Wild Horses Are" until Sendak admitted he couldn't draw horses. Max's wolf suit inspired by his own childhood terrors.

2/30

Alice's Adventures in Wonderland?

[A] Lewis Carroll | Math professor Charles Dodgson improvised this tale rowing with three young girls. Victorian Oxford's psychedelic trip down logic's rabbit hole.

3/30

Pippi Longstocking?

[C] Astrid Lindgren | Created to entertain her sick daughter, Pippi was too radical for publishers initially. Sweden's anarchist redhead conquered world literature anyway.

4/30

The Little Prince?

[D] Antoine de Saint-Exupéry | Written in New York exile during WWII, illustrated with his own watercolors. Author vanished over Mediterranean, leaving fox's wisdom eternal.

5/30

The Hobbit?

[A] JRR Tolkien | Started with "In a hole in the ground" scribbled on exam paper. Tolkien's children heard it first, publishers almost rejected it.

6/30

Northern Lights?

[D] Philip Pullman | Milton-inspired fantasy written in Oxford shed for warmth. Pullman typed wearing fingerless gloves, daemon concept born from loneliness.

7/30

The Lion, the Witch and the Wardrobe?

[C] CS Lewis | Wardrobe inspired by childhood evacuees Lewis hosted. Turkish Delight chosen because wartime rationing made candy exotic and tempting.

8/30

Winnie-the-Pooh?

[C] AA Milne and EH Shepard | Based on son Christopher Robin's actual toys, now in New York Public Library. Milne resented Pooh's success overshadowing serious writing.

9/30

Charlotte's Web?

[A] EB White and Garth Williams | White watched barn spider for year before writing. Struggled with ending until realizing Charlotte must die—children handle truth.

10/30

Matilda?

[D] Roald Dahl and Quentin Blake | Dahl made Matilda nasty originally, editor convinced him to make her nice. Written in garden shed with hot water bottle on lap.

11/30

Anne of Green Gables?

[C] LM Montgomery | Canadian author who set Anne in Prince Edward Island. She drew on a newspaper story about an orphan girl and her own PEI childhood.

12/30

Fairy Tales?

[B] Hans Christian Andersen | Son of washerwoman and shoemaker, ugly duckling was autobiography. Cut paper silhouettes while telling stories to aristocratic children.

13/30

Harry Potter and the Philosopher's Stone?

[B] JK Rowling | Written in Edinburgh cafés while baby slept. Twelve publishers rejected it; Bloomsbury chairman's daughter demanded next chapter.

14/30

The Very Hungry Caterpillar?

[A] Eric Carle | Hole-punch idea came from playing with paper punch. Carle's tissue paper collage technique learned from German art teacher.

15/30

The Dark is Rising?

[A] Susan Cooper | Written homesick for Britain while living in America. Celtic mythology mixed with Arthurian legend during Massachusetts winters.

16/30

The Arrival?

[C] Shaun Tan | Wordless graphic novel inspired by father's immigration photos. Tan spent years drawing imaginary alphabets and bizarre vegetables.

17/30

Little Women?

[C] Louisa May Alcott | Publisher wanted "girls' book"; Alcott thought it boring. Based on her sisters; Jo's stories were Louisa's actual juvenilia.

18/30

Charlie and the Chocolate Factory?

[A] Roald Dahl | Cadbury sent chocolate samples to Dahl's boarding school for testing. Schoolboy dreams became Wonka's factory forty years later.

19/30

Heidi?

[B] Johanna Spyri | Written in four weeks to pay debts after husband's death. Swiss tourism board's best unpaid advertisement for 140 years.

20/30

Goodnight Moon?

[A] Margaret Wise Brown and Clement Hurd | Brown wrote it in half hour. New York Public Library banned it for 25 years—no plot.

21/30

The Adventures of Pinocchio?

[D] Carlo Collodi | Collodi killed Pinocchio in original serialization. Children's letters demanding resurrection forced happy ending we know today.

22/30

A Wizard of Earthsea?

[D] Ursula K Le Guin | Publishers initially rejected non-white protagonist. Le Guin fought whitewashed covers for decades, finally won.

23/30

Moominland Midwinter?

[C] Tove Jansson | Moomins started as signature doodles mocking Kant in philosophical debates. Finnish winter depression transformed into magical hibernation story.

24/30

I Want My Hat Back?

[D] Jon Klassen | Inspired by Sergio Leone westerns and deadpan comedy. Bear's murder implied through masterful page-turn—darkness disguised as simplicity.

25/30

The Secret Garden?

[B] Frances Hodgson Burnett | Written in Long Island mansion after son's death. Garden therapy before psychology invented the term.

26/30

Duck, Death and the Tulip?

[B] Wolf Erlbruch | German illustrator tackled mortality for four-year-olds. Death wears plaid slippers, making existential dread oddly comforting.

27/30

The Brothers Lionheart?

[D] Astrid Lindgren | Written to comfort children about death after criticism Pippi never addressed serious topics. Swedish parents complained; children loved it.

28/30

Harry Potter and the Prisoner of Azkaban?

[D] JK Rowling | Time-turner plot required wall charts to track. Rowling's favorite because "no one had to die."

29/30

Brown Girl Dreaming?

[C] Jacqueline Woodson | Memoir in verse written on napkins and receipts. Woodson dyslexic, found poetry easier than prose for truth-telling.

30/30

The Three Robbers?

[B] Tomi Ungerer | French anarchist made villains heroes during 1960s conformity. Publishers worried about glorifying criminals; kids understood redemption perfectly.

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Who Wrote This Kid Classic? (1)

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