Finish the Disney Title: 10s Blitz (1)

About This Quiz

Projector dust floats. Marquee letters glow. A lantern lifts, a lily pad ripples, a clock strikes twelve.

Each title has a word missing—one beat dropped.

Listen for the gap. Fill it. Move to the next frame.

Decades stack—ink, Xerox, pixels.

Tiny hinges hide in plain sight.

Famous pairings tease. A small conscience whispers—keep the line honest.

Walk the title like a hallway.

When your ear clicks on the beat, that’s the patch.

Take it. Next door’s already rolling.

START QUIZ

1/15

Fantasia ____?

[B] 2000 | Fantasia 2000 : IMAX rollout revived the Fantasia experiment. Segments like Rhapsody in Blue sat beside a new Sorcerer’s Apprentice, turning concert animation into a big‑screen spectacle.

2/15

____ in Wonderland?

[C] Alice | Alice in Wonderland : Carroll’s logic puzzles thrive on screen. Disney leaned into nonsense songs and a very cranky tea party, making curiosity the real compass through Wonderland’s detours.

3/15

Saludos ____?

[D] Amigos | Saludos Amigos : Part of the studio’s wartime Good Neighbor trips. Donald and Goofy tour South America, doubling travelogue and cartoon diplomacy with bright planes, llamas, and samba rhythms.

4/15

____: The Lost Empire?

[D] Atlantis | Atlantis: The Lost Empire : Dialogue‑forward, no show tunes. Steampunk subs and glowing crystals marked a rare Disney action push that later earned a cult following on home release and streaming.

5/15

Brother ____?

[C] Bear | Brother Bear : A human becomes a bear and learns care from Koda. The film flips predator and prey empathy, backed by Phil Collins songs and broad, painterly vistas.

6/15

Beauty and the ____?

[A] Beast | Beauty and the Beast : First animated Best Picture nominee. Broadway‑grade songwriting and an enchanted castle staff turned a French fairy tale into a full musical with ballroom‑camera wizardry.

7/15

The Three ____?

[A] Caballeros | The Three Caballeros : Caballeros is Spanish for gentlemen or horsemen. Donald, José, and Panchito bounce across stylized Latin America in segments mixing live action, travel postcards, and slapstick.

8/15

The Black ____?

[C] Cauldron | The Black Cauldron : Adapted from Lloyd Alexander’s Prydain books. Darker tone and an early PG rating made it a curiosity that later found fans for its moody fantasy world.

9/15

_____ Little?

[B] Chicken | Chicken Little : First fully CGI feature from Disney Animation. The sky doesn’t fall, but computer‑rendered feathers definitely do, signalling the studio’s pivot toward digital pipelines.

10/15

Oliver & ____?

[C] Company | Oliver & Company : Dickens reimagined with New York street dogs. Billy Joel and Huey Lewis brought radio sheen, and the city becomes a chorus line of taxis and neon.

11/15

101 ____?

[B] Dalmatians | 101 Dalmatians : The Xerox process gave those spots attitude. Puppies are born white, then their markings emerge—useful trivia when Cruella starts counting coats.

12/15

Snow White and the Seven _____?

[A] Dwarfs | Snow White and the Seven Dwarfs : Studio style uses “dwarfs,” not Tolkien’s “dwarves.” Hand‑inked sparkle plus a wicked apple built the modern animated feature blueprint back in 1937.

13/15

Fun and ____ Free?

[B] Fancy | Fun and Fancy Free : A package film stitching shorts, including Mickey and the Beanstalk. The title says it: light, breezy, and designed for small bites after wartime austerity.

14/15

The ___ and the Hound?

[B] Fox | The Fox and the Hound : Childhood friends cross the predator‑prey line. The story’s bittersweet edge mirrors a studio handoff between animators leaving and a new generation arriving.

15/15

The Princess and the ____?

[C] Frog | The Princess and the Frog : Hand‑drawn return set in New Orleans. Tiana’s hustle, jazz brass, and bayou magic recenter the studio on musical fairy tales with a modern work ethic.