Disney Lyric Scramble: Name That Tune

[A] Whistle While You Work | 1937 Snow White tune. Adriana Caselotti sings while cleaning; composer Frank Churchill, lyricist Larry Morey. It’s the cheerful housekeeping anthem that launched Disney’s feature musical era.

[B] The Gospel Truth | 1997 prologue from Hercules. The Muses narrate Greek myth in gospel style; music by Alan Menken, lyrics by David Zippel. It literally sets the whole story’s rules.

[D] Be Our Guest | 1991 showstopper from Beauty and the Beast. Jerry Orbach’s Lumière hosts dinner theatre; Angela Lansbury hops in. Menken and Ashman engineered the ultimate hospitality flex.

[C] Cruella De Vil | Swinging villain theme from 1961’s 101 Dalmatians. Roger bangs it out at the piano; songwriter Mel Leven wrote the jazzy earworm that warns kids about fur-obsessed chaos.

[A] Reflection | Mulan’s self-check ballad, 1998. Lea Salonga voices the film version; pop single launched Christina Aguilera. Matthew Wilder and David Zippel frame identity crisis in clear, aching lines.

[C] Friends on the Other Side | Voodoo sales pitch from 2009’s The Princess and the Frog. Randy Newman writes; Keith David’s Facilier croons. The contract’s fine print isn’t—cue masks, tarot, and a nasty bill.

[B] Everybody Wants to be a Cat | Aristocats jam, 1970. Scatman Crothers leads a feline jazz pile‑up with O’Malley and pals. Huddleston and Rinker wrote the tune; every kitten ends up syncopated.

[D] Once Upon a Dream | Sleeping Beauty’s waltz, 1959. Lyrics by Jack Lawrence and Sammy Fain over Tchaikovsky’s ballet theme. Aurora and Phillip meet in the woods and harmony does the flirting.

[A] Baby Mine | Dumbo’s lullaby, 1941. Betty Noyes sings while Mrs. Jumbo cradles her trunked kid through the bars. The song snagged an Oscar nomination and a million tears.

[C] The Second Star to the Right | Peter Pan’s opener. The melody repurposes Alice’s cut number “Beyond the Laughing Sky,” then points you literally to Never Land. Wish on it, then head for the nursery window.

[D] Steady as the Beating Drum | Pocahontas opens on community rhythm. Stephen Schwartz’s lyric rides a call‑and‑response; drums steady the village while canoes glide. It tees up collision with the English ships.

[B] Oo-De-Lally | Robin Hood’s traveling news bulletin. Roger Miller’s Alan‑a‑Dale strums the plot into motion with homespun humor and a whistled shrug—Nottingham’s gossip, but set to twang.

[A] Trashin' the Camp | Tarzan’s jungle scat. Phil Collins built percussion from camp clutter; the *NSYNC version on the album turns it into a gleeful beatbox brawl.

[D] Friend Like Me | Aladdin’s vaudeville tornado. Robin Williams machine‑guns jazz jokes as Genie; Menken and Ashman’s number nabbed Oscar and Globe nods and still melts karaoke machines.

[B] Walk the llama llama | Groove‑era bonus cut. Rascal Flatts teach the llama line‑dance on the soundtrack extras; the film itself keeps it offscreen while Kuzco keeps the sarcasm on.

[C] The Court of Miracles | Hunchback’s dark joke. Clopin’s court flips from carnival to gallows in a blink; Menken and Schwartz score it like satire with teeth.

[A] Best of Friends | Fox and the Hound innocence snapshot. Pearl Bailey’s Big Mama sings while Tod and Copper play, before nature and training pull them apart.

[D] The Unbirthday Song | Alice’s chaos toast. Mad Hatter and March Hare celebrate not‑birthdays with nonsense logic and teacups that refill themselves, mostly onto the tablecloth.

[C] Bibbidi-Bobbidi-boo | Cinderella’s spell‑up. The Fairy Godmother sings pure syllabic silliness while pumpkins, mice, and fabric get promotions. The novelty lingo earned an Oscar nomination.

[B] Higitus Figitus | Merlin’s packing rap. Sherman Brothers tongue‑twisters turn suitcases into slapstick as the wizard vacates the thatch for life‑lessons and transfiguration drills.

[B] Part of Your World | Ariel’s cabinet of human curios gets a thesis. Jodi Benson records in near‑dark; Ashman and Menken craft the yearning that nearly got cut, then defined the renaissance.

[A] Hakuna Matata | Swahili for “no worries.” Timon and Pumbaa coach adolescent Simba through grub‑snacking and denial; Elton John and Tim Rice wrote a phrase kids keep learning on playgrounds.

[C] The Bare Necessities | Baloo’s minimalist philosophy. Terry Gilkyson’s tune preached fruit, shade, and chill so well it drew an Oscar nomination and a lifetime of hammock ads.

[D] He's A Tramp | Peggy Lee purrs nightclub sass as Peg. Co‑written with Sonny Burke, it’s the alley‑dog torch song Lady and the Tramp didn’t know it needed.