Guess the Taylor Swift Song by the Emojis

[B] gold rush | Medal plus runner reads “gold” and “rush.” An evermore daydream that curdles into jealousy in the outro, co-produced with Jack Antonoff and stacked with feather-light harmonies (2020).

[D] The Black Dog | Black dot plus dog spells it out. A Tortured Poets: The Anthology vignette that trails a breakup through London pubs and phone pings, documenting obsession with clinical detail (2024).

[A] cowboy like me | Hat and arrow toward a girl suggests “like me.” On evermore, two charming grifters slow-dance around commitment while steel-guitar flourishes make the con sound suspiciously cozy.

[C] Getaway Car | Runner plus car equals crimes-as-metaphor. reputation turns the rebound into a heist narrative; synths and siren chords make the chorus feel like merging across five lanes at dusk.

[B] Picture to Burn | Camera, then flames. Debut-era kiss-off single; a radio edit later softened one snarky line, but the video still plays like a storyboarded country revenge short.

[A] Red | One crimson dot says the title. The 2012 era codified color-as-feeling; Taylor’s Version (2021) reframed it with vault tracks and the cultural meteor known as “All Too Well (10 Minute Version).”

[D] Paper Rings | Page plus rings. Lover’s pogo-pop vow that prefers DIY to diamonds; the “I like shiny things…” hook basically invented a thousand wedding-sign Pinterest boards overnight.

[C] Christmas Tree Farm | Tree and tractor nod to Swift’s actual childhood on a Pennsylvania tree farm. She surprise-dropped this cozy single in 2019 complete with home-movie footage.

[A] Mirrorball | The emoji is the metaphor. On folklore she sings about reflecting every room back prettier; live acoustic versions turned a whispery studio cut into a stadium hush.

[D] Teardrops on My Guitar | Tears pointing at a guitar. Her breakthrough 2007 single about a classmate named Drew; delicate picking and a title that practically writes its own diary margin.

[C] End Game | Back arrow, “end,” controller. reputation’s sleek collab with Future and Ed Sheeran blends trap sheen and giant hooks; the video globe-trots like a flexed-budget spy caper.

[B] White Horse | White circle plus horse equals this Fearless ballad. It won two Grammys and proved the quietest tracks can hit like a sledgehammer when the truth finally lands.

[A] peace | The emoji gives the title. A folklore low-glow produced with Aaron Dessner, it wonders if love can feel steady when fame keeps leaving footprints on the living room floor.

[C] Snow On The Beach | Snowflake plus beach reads literally. Midnights pairs Swift with Lana Del Rey; a later “More Lana” version extended the duet so the shore actually gets two voices.

[D] Love Story | Heart and book equals a flipped Romeo & Juliet. Fearless turned balcony myths into arena sing-alongs, complete with key-change euphoria and a proposal line built for crowd screams.

[B] Down Bad | Down arrow plus thumbs-down. Tortured Poets slang for lovesick spiral; synths pulse while the lyric sheet photocopies the modern text-thread meltdown in painfully specific margins (2024).

[A] Bejeweled | One gem, many winks. Midnights struts through self-worth with a “nice!” sparkle; the video features Laura Dern, HAIM, and an elevator sequence TikTok adopted for glow-up transitions.

[C] Sparks Fly | Explosion plus fly. Speak Now finally released the live-favorite years after fans begged; Taylor’s Version rekindled the “drop everything now” line with cleaner guitars and thunderclap drums.

[D] Question…? | The lone mark matches the stylized title. A Midnights (3am) cut that opens with a sly nod to “Out of the Woods,” then interrogates messy nights with courtroom-drama cadence.

[B] I Look in People's Windows | Woman, magnifier, person, window. Another Anthology snapshot from Tortured Poets, it peers across cul-de-sacs with hushed acoustics and reads like suburban noir in soft focus.