MJ Songs: Blank Track Patrol (Part 2)

[A] Rock/World | Five words become universal truth when Michael declares his love's seismic impact, making hearts earthquake across continents.

[B] Leave/Alone | Privacy plea becomes funky manifesto as Michael transforms media exhaustion into Bad's most defiant dance floor statement.

[A] Wall/Off | Quincy Jones launches Michael's solo career with this disco masterpiece title that literally describes breaking through creative barriers.

[B] Just/Can't | Powerless against love's gravity, Michael admits romantic defeat through vocal acrobatics that turn heartache into harmony.

[C] re | Janet joins forces for this rage-fueled rocker where frustration explodes into cathartic chaos with sister-brother chemistry.

[D] ge | Teddy Riley's new jack swing meets femme fatale fascination in this title track warning about love's most thrilling threats.

[B] Heal/World | Children's choir meets Michael's humanitarian heart in this planet-sized prayer for peace that became activism's anthem.

[A] Every/Piece | Captain EO's theme song rockets through space-age synths while Michael proves he's got infinite dimensions to explore.

[C] Blame/It | The Jacksons funk up this disco gem where the rhythm literally becomes the perfect excuse for everything.

[D] Will/There | Tito's guitar weeps through this underrated Jackson 5 ballad questioning loyalty while harmonies melt hearts into puddles.

[A] a | Heavy D guests on this percussion explosion where Michael transforms traffic chaos into Dangerous album's most experimental groove.

[B] In/Closet | Mystery woman whispers secrets while minimalist beats create Dangerous's steamiest slow burn seduction.

[D] Say/Say | Double-talk becomes dance floor philosophy as HIStory questions gossip with stuttering beats that mirror communication breakdown.

[C] Girl/The | Paul McCartney duets on this pop perfection where two legends playfully fight over romance with Beatles-meets-Motown magic.

[A] Somebody's/Watching | Rockwell's paranoid pop gets supercharged when Michael's chorus vocals turn surveillance anxiety into Halloween party essential.

[B] Who/It | HIStory's hidden gem questions identity through atmospheric production that makes uncertainty sound absolutely certain.

[C] Ghost/Prague | Beatboxing meets Russian winter as Michael channels isolation into HIStory's most haunting sonic snowscape.

[D] Listen/Now | Slash's guitar screams through this rock ballad where Michael demands surrender with volcanic vocal intensity.

[B] Liberian | Deep cut celebrates African beauty while Michael's pronunciation makes geographic specificity sound absolutely magical.

[A] Fire/Stage | Gothic horror meets club beats in this title track where vampires get funky and Michael makes darkness danceable.

[C] Baby/Be | The Jacksons harmonize young romance into Motown gold where possessive pronouns become pure sugar.

[D] She's/Out | Quincy captures heartbreak's quietest moment as Michael's tears become Off the Wall's most vulnerable masterpiece.

[A] Day | Bassline becomes treadmill while Michael transforms workplace exhaustion into Off the Wall's most relentless funk workout.

[B] This/It | Final rehearsal becomes posthumous prophecy as Michael unknowingly names his last concert film with cosmic timing.

[D] Joy/Never | Unreleased emotion surfaces through leaked beauty where Michael admits romance can actually improve with time.

[C] Come | Beatles cover gets Jackson 5 treatment, proving Michael could transform Liverpool into Detroit with one vocal run.

[A] er | Invincible's gentlest moment floats on whispered vocals where Michael makes metamorphosis sound like meditation.

[B] ea | Notorious B.I.G. samples fuel this defiant opener where Michael declares his titanium soul through futuristic production.

[C] Got/There | Unreleased gem celebrates arrival through journey, making destination sound better than any GPS could promise.

[D] Can't/Help | Powerless against rhythm's command, Michael surrenders to music's control with gleeful vocal gymnastics.