MusicSong

No Title, Just the Chorus—Name It!

Title never drops inside the lyric. You still name it.

No Title, Just the Chorus—Name It!
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About This Quiz

Each card shows a lyric that never says its own name. Your job is to match that line to the correct title among four. Read at talking speed. Let the melody start before analysis shows up. Clean decisions beat slow second-guessing.

This set favors recognition over trivia. Brains store songs as pulse, room tone, and voice, not just labels. The title stays backstage while memory keeps singing. That gap is deliberate and fun.

Run it your way. Solo sprint, group pass, or ten-card blocks with a short pause. Change the pattern if focus drifts. Keep it simple, keep it moving.

1/20

"I read the news today oh boy."?

[B] A Day in the Life | Beatles brilliance featuring that newspaper story opening. Two unfinished songs became one masterpiece ending with piano chord reverberating into eternity.

2/20

"Teenage wasteland."?

[C] Baba O'Riley | Pete Townshend's synthesizer loop meets violin fury. Most misidentified rock anthem ever, proving titles matter less than memorable lyrics shouted in arenas.

3/20

"Hey hey mama said the way you move."?

[D] Black Dog | Plant's vocals dance around Jones' bass riff creating rhythmic tension. Named after a wandering canine at Headley Grange, not mentioned once lyrically.

4/20

"Is this the real life? Is this just fantasy?"?

[B] Bohemian Rhapsody | Opera meets rock in Mercury's theatrical vision. Six minutes without repeating sections scared executives until it became Britain's anthem twice over.

5/20

"When the dogs do find her Got time, time to wait for tomorrow."?

[A] Plush | Stone Temple Pilots found gold with this grunge ballad. Weiland's cryptic lyrics float over Dean DeLeo's acoustic guitar becoming MTV's unlikely favorite.

6/20

"You want it all but you can't have it."?

[C] Epic | Faith No More's genre-defying hit asking "What is it?" without answering. Patton's vocals stretch from rap to opera while fish swim mysteriously.

7/20

"I think it's time we stop, children, what's that sound."?

[D] For What It's Worth | Stephen Stills captured 1966 Sunset Strip protests perfectly. Those two guitar notes became protest music's most recognizable warning signal across generations.

8/20

"One pill makes your larger and one pill makes you small."?

[A] White Rabbit | Grace Slick transformed Alice's wonderland into psychedelic commentary. Spanish bolero rhythm builds tension until that final crescendo demands you feed your head.

9/20

"When everything's made to be broken I just want you to know who I am."?

[C] Iris | Johnny Rzeznik wrote romance for angels on mandolin-tuned guitars. Title stays hidden while crowds sing every word at maximum volume worldwide forever.

10/20

"Sometimes I give myself the creeps."?

[B] Basket Case | Billie Joe Armstrong made anxiety catchy through power chords. Mental health meets melodic punk creating Green Day's breakthrough singalong therapy session.

11/20

"Hello, Hello, Hello, How Low?"?

[D] Smells Like Teen Spirit | Cobain accidentally wrote grunge's anthem mocking teenage apathy. Four power chords destroyed hair metal overnight when Generation X found their voice.

12/20

"I've hungered for your touch."?

[A] Unchained Melody | Righteous Brothers recorded timeless yearning that outlived its prison movie origins. Bobby Hatfield's soaring notes still haunt pottery wheels and wedding dances.

13/20

"Revolutionaries wait for my head on a silver plate."?

[B] Viva La Vida | Coldplay channeled fallen kings through orchestral pop. String sections meet historical metaphors creating stadium singalongs about power's temporary nature worldwide.

14/20

"I said hey! What's going On?"?

[D] What's Up | Linda Perry screamed existential questions over simple chords. Four Non Blondes accidentally created karaoke's most cathartic moment for frustrated twenty-somethings everywhere.

15/20

"Everybody must get stoned."?

[C] Rainy Day Women # 12 & 35 | Dylan's brass-fueled party anthem invites multiple interpretations. Those mysterious numbers multiply into endless conspiracy theories while everyone sings along.

16/20

"Every time I see you falling I get down on my knees and pray."?

[A] Bizarre Love Triangle | New Order made heartache geometric through synthesizers. Bernard Sumner's vulnerable vocals meet electronic precision creating dancefloor philosophy about love's impossible angles.

17/20

"You make me feel like I am whole again."?

[B] Love Song | Robert Smith wrote pure devotion as wedding present music. Simplicity becomes profound when basslines walk steady beneath promises lasting longer than flowers.

18/20

"I am waiting at the counter for the man to pour the coffee."?

[C] Tom's Diner | Suzanne Vega's cappella observation became accidental dance hit. Morning ritual transformed into MP3 testing standard proving melody survives any technological evolution.

19/20

"Please allow me to introduce myself."?

[A] Sympathy for the Devil | Jagger embodies evil through samba rhythms listing historical atrocities. Those "woo-woos" started as mistakes becoming rock's most sinister singalong moment.

20/20

"I'm more than a bird...I'm more than a plane."?

[D] Superman | Five for Fighting explores ordinary heroism through piano balladry. John Ondrasik questions strength versus vulnerability becoming therapeutic soundtrack for national healing moments.

Your Scorecard

No Title, Just the Chorus—Name It!

  • Correct
  • Correct Rate
    %Avg Correct Rate
  • L1Difficulty Level
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  • Get Points
  • Perfect100%
  • Excellent≥90%
  • Very Good≥80%
  • Good≥70%
  • Passed≥60%
  • Failed≤50%

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