Pick the One-Word Band by Song (2)

[C] Santana | Carlos originally covered this Fleetwood Mac song, transforming Peter Green's blues into Latin rock gold with congas and timbales.

[D] America | Dewey Bunnell wrote this desert meditation in rainy England, accidentally creating what many mistook for Neil Young's voice.

[A] Chumbawamba | These anarchist punks accidentally created the ultimate drinking anthem while protesting UK labor politics and class warfare.

[C] Evanescence | Amy Lee recorded haunting vocals at age fourteen for this piano ballad about losing her three-year-old sister to illness.

[B] Queen | Brian May designed this stomp-stomp-clap specifically so stadium crowds could participate without any musical instruments needed.

[D] Oasis | Noel Gallagher named this after George Harrison's film company, creating Britain's most overplayed yet beloved acoustic singalong.

[A] Chicago | Peter Cetera almost didn't include this soft ballad, thinking it too wimpy for their horn-driven sound before winning a Grammy.

[B] Korn | Jonathan Davis scatted nonsense syllables when he forgot lyrics during recording, keeping them because they sounded more emotional than words.

[D] Weezer | Rivers Cuomo defended his nerdy look with this tribute, while Spike Jonze's Happy Days video launched alternative rock into mainstream consciousness.

[C] Coldplay | Chris Martin almost threw away this urgent piano riff as a throwaway until bandmates convinced him it was pure magic.

[A] KISS | Paul Stanley wrote their party manifesto in a hotel bathtub, crafting rock's ultimate celebration of hedonistic excess and theatrical makeup.

[B] Abba | Benny and Björn perfected this disco masterpiece by studying American dance floors, creating Sweden's greatest cultural export ever.

[C] Jet | These Aussies borrowed Iggy Pop's drum beat so obviously that critics called it theft while audiences called it infectious.

[A] Garbage | Shirley Manson mocked grunge's obsession with misery by writing deliberately depressing lyrics over deceptively upbeat production.

[D] Poison | Bret Michaels scribbled these innuendos on pizza napkins, launching hair metal's cheesiest pickup lines into strip club immortality.

[B] Rush | Neil Peart's complex drumming required overdubbing because recording technology couldn't capture all his simultaneous percussion elements properly.

[C] Heart | Nancy Wilson sang lead instead of Ann for the first time, achieving their only number one hit with borrowed vocal duties.

[D] Blondie | Debbie Harry channeled a call girl's perspective for Giorgio Moroder's electronic beats, bridging punk attitude with disco production.

[B] Tool | Maynard wrote this about a friend's artistic paralysis without substances, questioning whether pain fuels better creativity than comfort.

[A] Whitesnake | David Coverdale rewrote this failed acoustic song into hair metal glory, featuring Tawny Kitaen's legendary car hood choreography.