Name Time's 100 Greatest TV Shows (2)

[A] Leave It to Beaver | Beaver Cleaver's wholesome suburban childhood became nostalgia template Americans romanticize despite never existing.

[B] Gilmore Girls | Rapid-fire dialogue required actors memorizing pages daily, creating television's densest script-per-episode ratio historically.

[D] Lost | Polar bears and smoke monsters confused audiences weekly, pioneering online fan theories before Twitter existed.

[A] King of the Hill | Hank Hill selling propane in Texas suburbia humanized conservatives when sitcoms typically mocked them.

[B] Married... With Children | Al Bundy's hand-in-pants posture and miserable marriage offered Fox's anti-Cosby alternative during family-friendly dominance.

[B] M*A*S*H | Hawkeye's operating room wisecracks masked antiwar commentary, sneaking politics past censors throughout Vietnam era.

[B] General Hospital | Luke and Laura's wedding drew 30 million viewers, peak numbers daytime soap operas never matched.

[D] Friends | "The Rachel" haircut dominated salons nationwide, generating more cultural impact than any scripted storyline ever.

[C] Gunsmoke | Arness's Marshal Dillon anchored twenty consecutive seasons, outlasting every primetime drama until Law & Order.

[C] Felicity | Russell's haircut episode tanked ratings overnight, proving fans cared more about hairstyles than plotlines.

[B] The Ernie Kovacs Show | Kovacs pioneered visual comedy techniques, using camera tricks when competitors simply filmed stage performances verbatim.

[A] Monty Python's Flying Circus | Ministry of Silly Walks absurdity conquered American audiences despite initially baffling PBS programmers completely.

[C] Late Night with David Letterman | Letterman's stupid pet tricks and Gap Girls sketches redefined what late-night television could accomplish.

[D] I Love Lucy | Ball's physical comedy in chocolate factory scene remains television's most referenced slapstick sequence seventy years.

[A] The George Burns and Gracie Allen Show | Burns broke the fourth wall constantly, addressing cameras while Gracie remained oblivious throughout sketches.

[B] The Honeymooners | Gleason's "To the moon!" threats toward Alice defined working-class marital tensions through exaggerated bluster.

[C] I, Claudius | Jacobi's stammering emperor navigated Roman intrigue on BBC budgets, proving great acting trumps production values.

[C] Mary Hartman, Mary Hartman | Soap opera parody featured Mary's nervous breakdown over waxy yellow buildup, satirizing housewife obsessions.

[D] The Mary Tyler Moore Show | Mary Richards threw her beret celebrating singlehood, giving working women their first sitcom heroine.

[D] Freaks and Geeks | Apatow's failed show launched careers of Seth Rogen, James Franco, Jason Segel into Hollywood stratosphere.

[D] Hill Street Blues | Overlapping dialogue and handheld cameras revolutionized police procedurals, abandoning clean studio aesthetics completely.

[B] The Larry Sanders Show | Shandling's backstage peek at talk shows inspired every mockumentary sitcom that followed after cancellation.

[A] The French Chef | Child's warbling voice and dropped chicken normalized kitchen disasters, making French cuisine accessible to housewives.

[A] Homicide: Life on the Street | Braugher's interrogation room monologues were filmed uncut, showcasing acting mastery rarely attempted on television.

[C] The Monkees | Pre-Fab Four's manufactured band became real through sheer willpower, winning Grammy despite being television creation.