You Know the Artist Now Prove It

[B] Guernica | Fragmented monochrome forms scream against war, a Cubist cry of anguish.

[D] Water Lilies | Shimmering brushwork dissolves water and light into immersive Impressionism.

[A] The Starry Night | Swirling impasto turns night sky into an emotionally charged cosmos.

[C] The Night Watch | Chiaroscuro and motion animate a civic guard in Baroque drama.

[B] Mona Lisa | Soft sfumato and cryptic smile reveal Renaissance subtlety.

[A] The Creation of Adam | Monumental bodies and dynamic diagonal convey divine spark.

[D] The School of Athens | Perfect perspective frames philosophers in classical harmony.

[C] Venus of Urbino | Rich colour and luminous flesh craft sensuous Venetian intimacy.

[B] The Calling of St Matthew | Tenebrist light spotlights revelation amid gritty realism.

[D] Dance at Le Moulin de la Galette | Dappled light and fluid strokes celebrate Impressionist joy.

[A] Mont Sainte‑Victoire | Geometric strokes build a solid yet shifting landscape.

[C] Girl with a Pearl Earring | Luminous light and muted tones evoke Dutch quietude.

[A] Harmony in Red | Flat, vivid red unites space in decorative colour symphony.

[B] Vision After the Sermon | Flat crimson field and bold outlines translate inner vision.

[D] The Ballet Class | Cropping and pastel hues reveal kinetic rehearsal life.

[C] Olympia | Flat paint and direct gaze shatter academic convention.

[B] The Birth of Venus | Linear grace and pastel palette craft mythic elegance.

[D] The Third of May 1808 | Lantern glare and raw brushwork expose brutal horror.

[A] Las Meninas | Loose strokes and mirror tricks question courtly reality.

[C] The Kiss | Gold leaf and ornate patterns fuse sensuality with shimmer.

[B] Composition VII | Abstract whirl of colour expresses inner musical spirit.

[A] I and the Village | Floating folk imagery blends Cubism with dreamy symbolism.

[D] The Persistence of Memory | Melting watches dramatise surreal elasticity of time.

[C] No. 5, 1948 | Poured enamel weaves an all‑over vortex of gestural energy.

[B] Marilyn Diptych | Repetitive silkscreens flatten celebrity into pop‑culture icon.

[D] Orange, Red, Yellow | Soft‑edged colour fields radiate meditative emotion.

[A] Nighthawks | Neon diner isolates figures, capturing urban solitude.

[C] Red Canna | Magnified petals swirl into vibrant abstract curves.

[B] Whaam! | Comic blast and Ben‑Day dots parody mechanised violence.

[D] Untitled (1982) | Graffiti strokes and crowned skull confront identity and mortality.