Spot the 'O' Movies in One Pic

[C] Old School | Old School keeps its pulse steady while small details quietly tilt the whole room.

[B] O Brother, Where Art Thou? | O Brother, Where Art Thou? mixes tactile textures with sticky motifs and quietly gnawing momentum throughout.

[D] One Flew Over the Cuckoo's Nest | One Flew Over the Cuckoo's Nest lets one indelible image outlast plot while mood carries the weight.

[A] The Other Guys | The Other Guys threads humor with ache, letting character tics steer every left turn.

[A] Office Space | Office Space rides a simple engine yet hums with odd, unmistakable personality.

[D] Of Mice and Men | Of Mice and Men shows faces in corners and throwaway lines over a surprisingly gentle spine.

[C] Orange County | Orange County leans on place and rhythm; every cut lands like a practiced step.

[B] Oliver Twist | Oliver Twist earns reputation through stubborn focus and one sly, unforgettable flourish.

[D] On the Waterfront | On the Waterfront turns setting into a character that quietly reroutes every choice.

[B] Oh, God! | Oh, God! feels handmade—rough edges, lived-in props, and a heartbeat under jokes.

[C] Ocean's Eleven | Ocean's Eleven stacks small stakes until they feel skyscraper tall, then smiles anyway.

[A] Open Range | Open Range sticks for its texture: light, fabric, and sounds that refuse to quit.

[B] Oldboy | Oldboy moves like a song—verses repeating, chorus sharpened, the bridge bittersweet.

[C] An Officer and a Gentleman | An Officer and a Gentleman keeps timing human rather than flashy, which proves the real trick.

[D] Overboard | Overboard tosses breadcrumbs of color and sound so you follow without noticing.

[A] The Omen | The Omen asks fewer questions than it changes the air between people.

[C] October Sky | October Sky walks slow, then fast, then stops—every pace tells something true.

[D] The Other Boleyn Girl | The Other Boleyn Girl works silence harder than dialogue; glances carry real freight here.

[A] Once Upon a Time in Mexico | Once Upon a Time in Mexico plays with symmetry, then breaks it exactly when your guard drops.

[B] On Golden Pond | On Golden Pond stacks echoes—names, places, gestures—until quiet patterns bloom.

[D] One Hour Photo | One Hour Photo adores specificity: a lamp, a street, a laugh that stings later.

[B] Outbreak | Outbreak lets costume cues handle loyalties while the jokes slide by.

[A] Old Dogs | Old Dogs uses space cleverly; doorways and windows become opinionated narrators.

[C] The Outsiders | The Outsiders prefers offbeat angles, finding humor hiding directly beside hurt.

[A] Observe and Report | Observe and Report trusts you to listen; it whispers rather than shouts, and lands.