Misheard Mayhem: Real Lyric or Fake? (1)

[A] Call me when you try to wake her up. | R.E.M.'s mumbling masterpiece makes "wake her" sound tropical. Michael Stipe's slurred vocals birthed countless misinterpretations.

[A] Real | Bob Dylan's 1963 folk anthem poses eternal questions. This protest song became the soundtrack for change across generations.

[B] Baby come back, you can blame it all on me. | Player's 1977 yacht rock confession of guilt. Responsibility rhymes better than recreational activities in breakup songs.

[B] Dancing queen, feel the beat from the tambourine, oh yeah! | ABBA's 1976 disco miracle features percussion, not citrus. Swedish pop perfection that conquered every continent's dance floors.

[A] Give me the beat, boys, and free my soul. | Dobie Gray's 1973 ode to musical salvation. Rhythm heals hearts better than California surfers ever could.

[A] Real | Nirvana's "Smells Like Teen Spirit" battle cry from 1991. Cobain borrowed this line from his awkward party entrance routine.

[B] Fake | Pat Benatar actually sang "Hit me with your best shot" in 1980. Marine animals make poor weapons compared to metaphorical gunfire.

[B] Hold me closer, tiny dancer. | Elton John's 1971 ballad celebrates California dreamers. Bernie Taupin's poetry meets piano magic, creating karaoke confusion worldwide.

[A] Real | Johnny Nash brought sunshine in 1972 with this reggae-influenced optimism anthem. Obstacles removed, nothing but blue skies ahead.

[A] Real | Sir Mix-A-Lot's 1992 honest declaration about posterior preferences. This Seattle rapper's anthem achieved immortality through shameless authenticity.

[B] I shot the sheriff, but I didn't shoot no deputy. | Bob Marley's 1973 tale of selective justice. Eric Clapton's cover proved reggae translates beautifully into blues.

[B] Fake | MKTO sang "I wanna thrill you like Michael" in 2013. Pop royalty homage focuses on romance, not inappropriate proposals.

[A] Real | Bruno Mars catalogued extreme sacrifices in 2010. Love apparently requires military ordinance interception and voluntary dismemberment these days.

[B] It doesn't make a difference if we make it or not. | Bon Jovi's 1986 working-class anthem keeps clothes on. Tommy and Gina's survival story needs determination, not disrobing.

[A] That's me in the corner, That's me in the spotlight. | R.E.M.'s 1991 existential crisis minus bladder issues. Losing religion involves confession, not public urination.