Name That 'D' Movie – Go! (1)

[B] Dog Day Afternoon | Real crowds gathered thinking an actual robbery was happening, adding authentic chaos to Pacino's desperate bank heist.

[C] Dinner for Schmucks | Carell's mouse dioramas were actual art pieces, each taking weeks to construct for seconds of screen time.

[D] Duck Soup | The mirror scene required no special effects, just perfect timing between Groucho and Harpo's synchronized chaos.

[A] The Day the Earth Stood Still | Gort's costume was so restrictive the actor could only see through tiny holes while becoming sci-fi's most iconic robot.

[C] The Departed | Scorsese finally won his Oscar with this Boston crime symphony where everyone's wearing a wire and lying.

[D] The Da Vinci Code | Filming at the Louvre required overnight shoots, turning priceless art into movie props under extraordinary security.

[A] Despicable Me | Minion language combines French, Spanish, Italian, and food names into pure animated gibberish that somehow makes perfect sense.

[B] Die Hard with a Vengeance | Originally an unrelated script retrofitted for McClane, explaining why he's suddenly solving riddles instead of fighting terrorists.

[C] Date Night | Fey and Carell improvised most restaurant scenes, with directors keeping cameras rolling through their comic chemistry experiments.

[D] Dr. Strangelove .... | Sellers improvised the War Room scenes while Kubrick kept filming, turning nuclear annihilation into perfectly timed comedy.

[A] Donnie Darko | Budget constraints meant the jet engine was just fiberglass, but became cult cinema's most mysterious time-travel device.

[B] Dumb and Dumber | Carrey chipped his tooth for real and left it unfixed during filming for authentic stupidity aesthetics.

[D] Dial M for Murder | Hitchcock shot with massive 3D cameras, though most audiences saw it flat, missing his depth-designed suspense.

[A] Dumbo | Animators studied real elephants at circuses, though none could fly, requiring imagination for those magical ear physics.

[C] Dirty Harry | Eastwood's squint wasn't acting but actual sun glare, becoming his signature look through pure San Francisco brightness.

[B] Dracula | Coppola banned digital effects, using Victorian-era tricks like reverse filming and shadows for supernatural transformations.

[D] The Deer Hunter | Wedding sequence runs an hour because Cimino wanted audiences feeling the community before war destroys everything.

[A] Dr. No | Connery's "Bond, James Bond" was dubbed later, with the original take deemed too Scottish for international audiences.

[C] Dances with Wolves | Buffalo scenes required helicopters herding 3,500 animals while cameras captured the last great plains stampede.

[B] Dawn of the Dead | Savini's zombie makeup used different colors for different decay stages, creating a grotesque rainbow of undead deterioration.

[D] The Dark Knight | Hospital explosion went wrong but Ledger stayed in character, turning malfunction into the Joker's confused button-pushing.

[C] Dogma | Catholic protests gave free publicity while Smith served protesters donuts, turning theological controversy into marketing gold.

[A] Defiance | Craig learned survival skills from actual partisans' descendants, making forest resistance feel lived-in rather than Hollywood heroic.

[B] Doubt | Streep and Hoffman never rehearsed together, keeping their confrontations raw and their power dynamics genuinely uncertain.

[D] Dirty Dancing | Lake water was so cold during the lift scene that Swayze and Grey's shivers look like performance anxiety.