Name That 'C' Movie – Go! (1)

[A] A Christmas Story | That iconic leg lamp started as a radio story detail, becoming cinema's weirdest holiday decoration alongside tongue-stuck flagpoles.

[C] Cape Fear | Scorsese's remake transformed a thriller into Southern Gothic opera, with De Niro's tattooed menace stalking through Spanish moss and dread.

[A] Citizen Kane | Welles was just 25 when he revolutionized cinema grammar, creating deep focus shots that made ceilings suddenly matter.

[B] Cabaret | Fosse's choreography turned Berlin's decadence into precise movements while history crumbled outside the Kit Kat Club's smoky doors.

[C] The Creature from the Black Lagoon | Two actors played Gill-man: one for land, another holding breath underwater for those hypnotic swimming sequences.

[D] Chicago | After decades of failed musical adaptations, this jazz-age crime story finally cracked the code with quick-cut choreography.

[B] City of God | Real favela kids became actors, bringing authentic energy to this kinetic tale of Rio's forgotten corners.

[A] Corpse Bride | Each puppet required multiple heads for different expressions, with animators moving them millimeters daily for ghostly romance.

[C] The Conversation | Released during Watergate, this surveillance thriller accidentally predicted America's paranoid future through one misheard phrase.

[D] Click | Sandler's comedy unexpectedly morphs into existential crisis when fast-forwarding life reveals what moments actually matter most.

[A] City Lights | Silent film triumphed over talkies through pure visual poetry, proving Chaplin's pantomime worth more than words.

[B] The Crow | Brandon Lee's tragic death during filming transformed this gothic revenge tale into an unintended memorial masterpiece.

[C] Cleopatra | Taylor's costume changes alone cost more than entire films, nearly bankrupting Fox with ancient Egyptian excess.

[D] Caddyshack | Most scenes emerged from improvisation, with Murray creating his entire groundskeeper character between official takes.

[B] Collateral | Mann shot digitally to capture Los Angeles nighttime's actual neon glow, making the city a luminous character.

[A] Carrie | Spacek slept in bloody clothes for three days, keeping herself in character for cinema's most traumatic prom.

[C] Clue | Theaters received different endings randomly, creating opening weekend chaos as audiences compared who murdered whom where.

[D] Casino | Stone's costumes changed 40 times, each outfit chronicling her character's descent through Vegas's glittering underworld.

[A] A Clockwork Orange | McDowell's eye injury during filming was real, adding genuine terror to the Ludovico technique scenes.

[B] Captain America | Evans initially refused the role six times, worried about committing to Marvel's decade-spanning superhero experiment.

[C] Chinatown | Polanski's bleak ending replaced Towne's hopeful script, creating noir's most devastating final line about powerlessness.

[D] Clash of the Titans | Harryhausen spent four months animating Medusa's hair, giving each snake independent movement for maximum nightmare fuel.

[B] Catch Me If You Can | Real Frank Abagnale appeared as the French policeman arresting DiCaprio, catching his fictional self onscreen.

[A] Cars | Pixar sent animators to racing school, ensuring every drift and pit stop reflected actual NASCAR physics and culture.

[C] Casino Royale | Craig emerged from ocean waves by accident when the script called for a simple beach arrival.