Name That ‘L’ Movie — Go! (Part 2)

[D] Lilo & Stitch | A chaotic ‘dog’ crash‑lands; ohana stretches to fit extraterrestrial trouble.

[D] Little Nicky | Hellspawn meets New York; metal riffs and meatball subs soften apocalyptic stakes.

[C] Lost in Translation | Tokyo insomnia hums; strangers share quiet rooms and louder neon questions.

[A] The Longest Yard | Prison yard scrimmage turns bruises and jokes into small, stubborn dignity.

[A] The Last King of Scotland | Charisma curdles; a doctor learns proximity to power means teeth.

[B] The LEGO Movie | Plastic bricks, meta glue; imagination outbuilds every instruction booklet.

[C] The Last Emperor | Cameras trace a boy‑emperor from palace corridors to humble gardens.

[A] Life of Pi | One boat, one tiger; survival becomes storytelling under impossible skies.

[A] La Bamba | A borrowed guitar and radio static push Ritchie Valens toward charts.

[D] Look Who's Talking | Baby commentary tracks adult chaos; voiceover turns diapers into punchlines.

[A] Lara Croft: Tomb Raider | Maps fold, clocks split; acrobatics meet ancient puzzles between gun barrels.

[C] The Lovely Bones | Afterlife pastels frame grief while clues hide in suburban normalcy.

[A] Little Shop of Horrors | Doo‑wop terror blooms as a hungry plant sings for fresh mistakes.

[C] Love Actually | Eleven tangles, one airport dash; postcards of messy affection at Christmas.

[B] The Ladykillers | Polite landlady outsmarts bungling thieves beneath gospel choirs and river mud.

[B] The Last Airbender | Elements misalign; a boy monk shoulders centuries of balance and backlash.

[A] Lucy | Brainpower speed‑runs evolution, then confronts limits of control and self.

[C] The League of Extraordinary Gentlemen | Victorian crossovers assemble gadgets before steampunk knew its brand.

[B] Lemony Snicket's: A Series of Unfortunate Events | Gothic orphans weaponize wit while guardians vanish and disguises multiply.

[C] Labyrinth | A clock, a maze, a song; growing up rewrites every direction sign.

[A] Live Free or Die Hard | Analog cop meets cyber meltdown; fists argue with firewalls and trucks.

[C] Lolita | Taboo narration exposes unreliability more chilling than courtroom testimony.

[D] Looper | Time travel freelancing shows self‑conflict isn’t metaphor, it’s payroll.

[A] Les Misérables | Barricades, bread, and forgiveness thread through sung letters and storms.

[B] The Lost Boys | Boardwalk neon, saxophones, and leather jackets reinvent vampires as coastal punks.

[D] Lethal Weapon | Broken‑glass buddy cop chaos where grief, Christmas lights, and mayhem intersect.

[B] A League of Their Own | Chalk lines and lipstick; wartime keeps baseball alive on fast‑learning heels.

[C] Legally Blonde | Pink briefcase, LSAT grit; sorority spark rewrites courtroom expectations with cheer.

[B] The Little Mermaid | A voice traded for legs; dinglehoppers meet sea witch contract law.