Name That Poster: Movie Quiz (2)

[A] Rocky | Key tells: ring silhouette; and gray Philly steps. Simple silhouette typography matched the film’s modest underdog budget.

[D] The Blues Brothers | The pairing—black suits and hats and Ray-Bans—matches only here. Black suits, hats, and Ray‑Bans advertise mission‑from‑God cool.

[A] The Fugitive | Blurry train jump? Yes. windbreaker sprint? Also yes. Motion-blur train chase stills carried kinetic panic into print.

[D] Scream | Iconography check: wide-eyed close-up, ghostface hint. That iris-dilated stare reintroduced slasher menace with meta wit.

[C] Public Enemies | Fedora and tommy gun with rain-slick streets. That’s the signal. Fedora, rain, and tommy gun revive 1930s romantic outlaw chic.

[B] Up | You can’t miss color balloon swarm; you also get little house. One tiny house, a thousand balloons. Pixar’s color theory lesson.

[C] Tombstone | Take mustached gunslingers. Add dusty street. Beards, dust, and negative space made modern-western minimalism.

[B] Jurassic Park | T-rex skeleton emblem alongside black-red scheme nails the ID. Saul Bass–style dinosaur emblem is a masterclass in logo poster design.

[B] Titanic | Both bow embrace and sepia ocean hush fit perfectly. Bow embrace recap frames both romance and disaster in one image.

[D] Forrest Gump | See bench and suitcase; pair with white space. Bench-as-stage invites a life told in freighted props.

[A] Clockwork Orange | Telltales: triangular knife frame. Then bowler hat. Triangular composition locks your eye like Alex’s stare.

[A] The Howling | Decode by torn-paper claw plus screaming mouth. Ripped paper gash turns typography into fangs.

[B] Swingers | Retro martini glass—and then Vegas dots. Retro martini glass pitched the film’s Rat Pack vibe instantly.

[D] Sin City | Visual math: high-contrast rain + white-on-black splashes. Rodriguez printed rain like blades; white-on-black pop-art violence.

[C] Caddyshack | Noticing gopher mischief and clubhouse chaos ends the debate. A mischievous gopher became the unexpected mascot of golf chaos.

[B] Full Metal Jacket | The giveaway is helmet with Born to Kill, backed by peace pin. Helmet slogan plus peace button embodies Kubrick’s irony in one image.

[D] Gladiator | Sunlit arena dust tied to outstretched sword equals this film. Dusty arena horizon and outstretched sword promise operatic justice.

[B] Hancock | Track frayed beanie and shades. Confirm with gritty skyline. Askew beanie and scraped shades sell reluctant-hero sarcasm.

[A] Pulp Fiction | Between Mia on bed and pulp paperback, the answer clicks. Mia Wallace on a pulp paperback. Tarantino’s universe in one still.

[C] Goodfellas | Lean on three suits looming; confirm via bloodline neon. Three heads looming over nightlife, slick and lethal.

[A] The Crying Game | Read silhouette secrets; echo with UK-Ireland palette. Shadowed profile hints at identity secrets without spoilers.

[D] The Outlaw Josey Wales | Start with grizzled squint; finish on rifle across chest. Weathered squint and long rifle announce Eastwood’s grim code.

[A] Alien | Egg and eerie green next to space void locks the choice. Egg plus tag: “In space no one can hear you scream.”

[B] The Last of the Mohicans | Spot running with musket. Seal it with autumn fire. Running figure with musket against autumn flame equals romance-warfare.