Name That Poster: Movie Quiz (3)

[A] The Hangover | Name-check the tired trio; then baby with sunglasses clinches it. Baby in shades made viral marketing before memes were routine.

[B] Juno | Striped shirt and skirt hints it; orange graph paper proves it. Juno’s striped tee and orange graph paper create instant quirk grammar.

[C] Jaws | Compare shark rising and swimmer above; only one matches. Roger Kastel adapted the novel art: swimmer above, doom below.

[C] The 40 Year Old Virgin | The texture—beam of hopeful light—with striped polo is unique. Steve Carell’s angelic key light jokes before any punchline.

[B] Breakfast at Tiffany's | It’s the combo of black dress and pearls and cigarette holder. Black dress, pearls, and cigarette holder canonized Hepburn chic.

[D] Star Trek | Poster grammar: warp streaks followed by Enterprise silhouette. Warp streaks and ship silhouette promise sleek reboot energy.

[C] Wedding Crashers | Two markers—suits mid-dance; red tall title. Two idiots mid‑dance in tuxedo chaos. Mission: mischief.

[A] American Pie | Graphic tells: pie gag; teen group. A literal pie gag. Broad teen energy advertised honestly.

[B] Wall Street | The mood of city skyline, plus slicked-back hair. Slicked hair and skyline. Greed given a glossy face.

[D] District 9 | Dial in no aliens sign. Cross‑check hovering ship. Handmade “No aliens” signage plus hovering prawn ship sell allegory.

[C] Groundhog Day | Signals: alarm clock; later endless loop look. Clock motif visualizes the loop better than any synopsis.

[D] The Sting | You’re hunting vintage con-art duo and sepia poster art. Painterly duo at a table nods to 1930s poster art.

[B] Rain Man | Spotlight two men walking road. Afterward tan trench. Two men, one road. Distance and care compressed into a walk.

[D] The Incredibles | Cue set: bold red family icons with retro mask shapes. Retro circles and bold red make a family crest for supers.

[A] Shutter Island | Evidence: lighthouse shard; corroborated by stormy sea. Knife of light from a lighthouse carves Scorsese’s paranoia.

[D] Memento | Polaroid cascade cues tone; tattoos locks identity. Polaroids inside Polaroids mimic memory’s recursion.

[D] Moonstruck | Notice moonlit jump; keep opera red in frame. Cher mid‑leap in moonlight sells operatic Brooklyn romance.

[C] Airplane! | Start on knotted plane. Pivot to blue sky. Knotted jet equals instant ridiculousness. Premise explained at a glance.

[D] JFK | Stars-and-stripes collage anchors it; silhouette profile signs it. Collaged flag and silhouette cue obsession over evidence.

[C] Boys Don't Cry | Desaturated close-up and Nebraska plains align with the one-sheet. Bleached prairie tones match the story’s stark Midwestern truth.

[C] Mary Poppins | Follow umbrella flight; validate with Victorian skyline. Umbrella flight over London makes nanny magic literal.

[A] Dumb and Dumber | Read tone via shaggy van; props via goofy duo. Sheepdog van and bad hair make anti‑cool its own brand.

[D] Crouching Tiger, Hidden Dragon | The palette—golden silk—and the object—sword stances. Golden silk and poised swords telegraph balletic wuxia.

[A] Schindler's List | Red coat accent then black-and-white crowd, neat and decisive. Red coat on grayscale locates innocence amid atrocity.