Quote-to-Movie Quiz: Part 3

[D] When Harry Met Sally... | Rob Reiner’s rom‑com explores whether friends can be lovers; the deli scene’s improvised line became shorthand for faking enthusiasm in restaurants everywhere.

[B] The Dark Knight | Heath Ledger’s Joker recounts contradictory scar stories in Nolan’s gritty Gotham; his chaotic performance posthumously earned an Oscar and upstaged Batman.

[C] Sudden Impact | Inspector Callahan’s fourth outing sees Eastwood warning a punk to make his day; the phrase entered politics when Reagan quoted it to veto tax hikes.

[A] Star Wars | George Lucas launched a galaxy of merchandising; Obi‑Wan’s benediction became a universal blessing for geeks and politicians alike.

[D] The Wizard of Oz | Dorothy’s ruby‑slipper mantra reminds us Kansas beats Emerald City; MGM’s Technicolor fever dream gave generations a fear of flying monkeys and appreciation for small dogs.

[B] Jerry Maguire | Cameron Crowe’s sports‑agent rom‑com coined multiple catchphrases; Cuba Gooding Jr. dancing for contract dollars won him an Oscar and endless parodies.

[A] Field of Dreams | Iowa cornfields and ghostly ballplayers meet in Kevin Costner’s sentimental baseball fable; the whispered promise lures Shoeless Joe and dads everywhere.

[C] Die Hard | John McClane’s elevator‑shaft antics and improvised profanity turned an office tower hostage crisis into the definitive Christmas‑adjacent action movie.

[D] A League of Their Own | Tom Hanks coaches wartime women’s baseball and loses his patience; his tear‑phobic rant has replaced umpire calls at Little League games ever since.

[B] Meet the Parents | Ben Stiller endures polygraph tests and milks a cat while wooing De Niro’s intimidating father; the improvised nipple joke cemented the film’s cringe humour.

[C] The Shawshank Redemption | Darabont’s prison tale shows Andy using geology and chess against institutionalisation; his rock hammer and friendship with Red inspired endless poster‑tunnel jokes.

[A] Titanic | James Cameron’s unsinkable romance pairs DiCaprio and Winslet on a doomed liner; Jack’s improvised boast from the ship’s bow echoed around teenage bedrooms worldwide.

[D] The Godfather | Coppola’s operatic crime saga features Marlon Brando’s raspy Don who uses horse heads, not law firms, to negotiate; his promise defines cinematic persuasion.

[B] A Few Good Men | Aaron Sorkin’s play adaptation pits Cruise against Nicholson in a Guantanamo courtroom; the colonel’s shouted line joined cross‑examination history and meme culture.

[A] The Green Mile | Darabont’s Stephen King adaptation finds miracles on death row; Michael Clarke Duncan’s gentle giant cannot undo tragedy, making Tom Hanks weep.

[C] Fight Club | David Fincher’s anarchic tale of bored men and soap manufacturing yields a narrator who names his organs; the twist punched audiences right in the spleen.