Quote-to-Movie Quiz: Part 2

[B] Dr. Strangelove | Kubrick's Cold War farce features Peter Sellers playing multiple roles and a war room where polite generals bicker about Armageddon.

[D] Dirty Harry | Clint Eastwood growls as San Francisco cop; the .44 Magnum speech turned him into a pop‑culture tough guy and launched a series of sequels.

[A] Dirty Dancing | Patrick Swayze lifts Jennifer Grey over his head to an '80s soundtrack; the film revived interest in mambo and launched Swayze's heartthrob status.

[C] Scarface | Brian De Palma’s cocaine‑fueled epic turned Pacino’s Tony Montana into a cultural icon; his grenade‑launching 'little friend' speech is pure over‑the‑top bravado.

[B] The Blues Brothers | John Belushi and Dan Aykroyd's SNL band wrecks dozens of cop cars to save their orphanage; gospel greats cameo as part of their divine mission.

[A] Cool Hand Luke | Paul Newman plays a chain‑gang rebel whose stubborn charm and egg‑eating contest anger the warden; his drawled line became shorthand for bureaucratic nonsense.

[D] Karate Kid | An underdog teen learns wax‑on wisdom from Pat Morita; the Cobra Kai bully ordered to 'sweep the leg' ignites the final crane‑kick showdown.

[C] There Will Be Blood | Daniel Day‑Lewis channels a ruthless oilman who drinks his rivals’ milkshakes; the line comes from a real Senate speech about drainage laws.

[B] Pulp Fiction | Tarantino’s intertwining crime tales revived John Travolta’s career; Jules’s mockery of a burger’s metric measurement turned into a meme with Ezekiel 25:17 flourish.

[A] The Silence of the Lambs | Hannibal Lecter’s chilling dinner suggestion won Hopkins an Oscar; his sibilant line joins Chianti and fava beans on the pop‑culture menu.

[D] Psycho | Hitchcock’s shower‑stabbing classic shocked censors; Norman Bates’ devotion to Mother launched the slasher genre and forced audiences to forever knock before entering the bathroom.

[C] Planet of the Apes | Charlton Heston’s astronaut discovers Earth ruled by simians; his contemptuous line climaxed a twist ending that left audiences reevaluating bananas and the Statue of Liberty.

[A] Apocalypse Now | Coppola’s hallucinatory Vietnam epic mixes Wagner and helicopters; Robert Duvall’s surf‑loving colonel weirdly equates napalm with breakfast in a line both macho and absurd.

[B] The Princess Bride | This fairy‑tale parody mashes swashbuckling, romance and rodents; Mandy Patinkin’s revenge mantra turned Inigo into a pop‑culture catchphrase machine.

[C] Airplane | Zucker‑Abrahams‑Zucker’s disaster parody deadpans absurdity; Leslie Nielsen’s admonishment to stop calling him Shirley revived his career and still ruins serious conversations.

[D] National Lampoon's Animal House | John Belushi leads a toga‑loving fraternity of misfits; Dean Wormer’s insult became a cautionary motto for campus party animals everywhere.