Guess the One-Word Band from the Song (2)

[A] Muse | Muse built this around a snarling bass line, driving a paranoid love lyric all the way to full arena sing-along mode.

[D] Garbage | Shirley Manson flipped the insult back at shallow celebrity culture, singing over a loop-heavy groove and fuzzy guitars.

[A] Paramore | Hayley Williams poured teenage jealousy into this song, then retired it for years over its lyrics before cautiously bringing it back.

[D] Steppenwolf | John Kay's psychedelic journey began with an actual Persian rug purchase that sparked this counterculture anthem's fantastical imagery.

[C] Radiohead | Thom Yorke based these paranoid lyrics on an inside joke about band meetings where they'd arrest each other for minor infractions.

[B] Korn | Jonathan Davis scatted nonsense syllables when he forgot lyrics during recording, keeping them because they sounded more emotional than words.

[D] Heart | Ann Wilson wrote this after a sleazy industry rumor, turning her fury into one of classic rock’s most ferocious galloping riffs.

[B] Radiohead | Thom Yorke turned a failed crush into this misfit anthem, which the band later grew tired of performing live.

[C] Nirvana | Kurt Cobain intended this as a joke about teen deodorant, never expecting it would accidentally revolutionize rock music forever.

[C] Heart | Nancy Wilson sang lead instead of Ann for the first time, achieving their only number one hit with borrowed vocal duties.

[A] Lifehouse | Jason Wade wrote this at seventeen about his future wife, creating 2001's most played radio song without realizing it.

[A] Whitesnake | David Coverdale rewrote this failed acoustic song into hair metal glory, featuring Tawny Kitaen's legendary car hood choreography.

[A] Chicago | Peter Cetera almost didn't include this soft ballad, thinking it too wimpy for their horn-driven sound before winning a Grammy.

[A] Coldplay | Chris Martin sketched this in a Welsh studio, jokingly naming it after a Yellow Pages phone book on the table.

[C] Oasis | Noel Gallagher leaned into psychedelic babble here, stretching the track past seven minutes of swirling guitars and half-heard questions.

[D] Genesis | Phil Collins embraced drum machines fully here, marking their complete transformation from progressive epics to infectious pop perfection.

[C] Santana | Carlos originally covered this Fleetwood Mac song, transforming Peter Green's blues into Latin rock gold with congas and timbales.

[D] Rufus | Stevie Wonder wrote and produced this funk masterpiece, introducing the talk box that would influence generations of musicians.

[D] Poison | Bret Michaels scribbled these innuendos on pizza napkins, launching hair metal's cheesiest pickup lines into strip club immortality.

[B] Cream | Poet Pete Brown supplied these mysterious lyrics after waking up in an actual white room following a party blackout.