Can You Identify 100 Iconic Rock Bands? (3)

[D] Green Day | Three California punks who went from playing 924 Gilman Street to Broadway, proving that eyeliner and power chords can win Tony Awards.

[C] Soundgarden | Chris Cornell's voice could shatter glass and heal souls simultaneously—the only grunge vocalist who could've fronted Led Zeppelin.

[B] The Cars | Ric Ocasek looked like a praying mantis in sunglasses but married a supermodel—new wave's ultimate proof that cool beats conventional.

[C] The Clash | The only band that matters, according to themselves—but when you write "London Calling" while your studio floods, the claim seems justified.

[C] Blondie | Debbie Harry was punk, disco, new wave, and rap pioneer all at once—the Swiss Army knife of cool in platform heels.

[C] Ramones | Four guys who weren't brothers, all took the same last name, and proved you only needed three chords and two minutes to change the world.

[A] Radiohead | Released an album as a pay-what-you-want download, crashed the internet, and made millions—accidentally inventing the honor system economy.

[A] Bruce Springsteen | The Boss plays four-hour concerts at 75 because apparently nobody told him shows are supposed to end—Jersey's marathon man.

[B] The Doobie Brothers | Named themselves after a joint, had two completely different sounds with two different singers, and somehow both versions were perfect.

[A] Roy Orbison | Wore dark sunglasses because he forgot his regular glasses on a plane—the most stylish accident in rock history that became his signature.

[B] Janis Joplin | Drank Southern Comfort straight from the bottle on stage and sang like her heart was perpetually breaking—raw emotion that made pretty voices sound empty.

[A] Jefferson Airplane | Grace Slick tried to dose President Nixon with LSD at a White House tea party—psychedelic rock's most ambitious diplomatic incident.

[C] Foreigner | Wrote "I Want to Know What Love Is" and got gospel choirs worldwide to sing backup—arena rock's most successful recruitment drive.

[A] Steve Miller Band | "Fly Like an Eagle" time keeps on slipping into every classic rock station every hour—the space cowboy who conquered terrestrial radio.

[C] Yes | Made 20-minute songs about cosmic battles between good and evil while Roger Dean painted album covers from another dimension—prog rock's DMT experience.

[C] Kiss | Gene Simmons trademarked the money bag logo and put Kiss on everything from caskets to condoms—capitalism in kabuki makeup.

[D] Talking Heads | David Byrne wore a giant suit, asked how he got here, and made art rock that actual humans could dance to—cerebral funk's unlikely hero.

[A] Alice Cooper | Vincent Furnier became Alice, invented shock rock with guillotines and snakes, then became a scratch golfer—horror theater's most unexpected plot twist.

[D] Alice in Chains | Layne Staley and Jerry Cantrell harmonized about heroin over drop-D guitars, making despair sound paradoxically beautiful—grunge's darkest poetry.

[A] Supertramp | "The Logical Song" questioned education while using a Wurlitzer electric piano—existential crisis set to the world's happiest-sounding instrument.

[C] Scorpions | German rockers who sang "Wind of Change" about the Berlin Wall falling, whistled their way to world peace—heavy metal diplomacy.

[C] Steely Dan | Donald Fagen and Walter Becker were so perfectionist they fired their band and hired session musicians—jazz rock's most antisocial geniuses.

[A] Paul McCartney and Wings | Paul proved he didn't need John, then spent decades being asked about John anyway—the most successful rebound band in history.

[B] Robert Plant | The golden god whose shriek launched a thousand imitators and probably violated several noise ordinances—viking vocals in velvet pants.

[B] Phil Collins | Played drums and sang for Genesis, had a solo career, and appeared at Live Aid twice on different continents—the Concorde's only rock star frequent flyer.

[D] Bad Company | Named after a Jeff Bridges film, signed to Zeppelin's label, and made "Feel Like Makin' Love" without a hint of irony—'70s rock distilled to its essence.

[C] The Cure | Robert Smith's hair and makeup routine takes longer than most bands' entire sets—goth rock's most committed aesthetician.

[D] The Moody Blues | Recorded "Nights in White Satin" with the London Symphony Orchestra, making prog rock acceptable at proms since 1967.

[B] Buddy Holly and the Crickets | Inspired The Beatles' insect name, The Hollies' entire identity, and rock's tradition of dying too young—influence measured in decades, not years.

[A] Blue Öyster Cult | "(Don't Fear) The Reaper" needs more cowbell, according to Saturday Night Live—the only band whose legacy includes a percussion meme.

[A] Chicago | Started as Chicago Transit Authority, got sued, shortened their name, and proved brass sections could make power ballads—horn rock's legal survivors.

[C] Jethro Tull | Ian Anderson stood on one leg playing flute like a demented flamingo and won a Grammy for Best Metal Performance—confusing everyone, including themselves.

[B] The Yardbirds | Launched Clapton, Beck, and Page—basically rock's most successful guitar teacher who happened to be a band.

[D] The Pretenders | Chrissie Hynde moved from Ohio to London, formed a band with Brits, and became more punk than the punks—America's gift to British rock.

[B] Linkin Park | Mixed rap and metal when both genres' fans hated each other, sold millions, and united the tribes—musical diplomacy through angst.

[C] Steppenwolf | "Born to Be Wild" invented the term "heavy metal thunder" and became every motorcycle commercial's soundtrack—unintentional branding genius.

[B] The Byrds | Turned Bob Dylan electric, invented folk rock, and pioneered country rock—the middlemen of every important '60s sound.

[A] Otis Redding | Recorded "(Sittin' On) The Dock of the Bay" three days before dying in a plane crash—soul's most haunting whistle.

[B] The Mamas & The Papas | Mama Cass's ham sandwich didn't kill her (it was heart failure), but the myth persists—folk rock's weirdest posthumous urban legend.

[D] Kansas | "Carry On Wayward Son" plays in every season finale of Supernatural—prog rock's most unexpected TV residency check.