Can You Match the Sitcom to Its Episode Count? (1)

[D] South Park | Parker and Stone compress production into frantic six-day cycles; topical satire references yesterday's headlines fearlessly.

[D] Modern Family | Interconnected households revolutionized sitcom format; mockumentary approach accumulated twenty-two Emmy victories overall.

[B] My Three Sons | MacMurray revolutionized production scheduling; entire seasons filmed in concentrated bursts accommodating his demanding film commitments.

[D] Two and a Half Men | Sheen's spectacular implosion captivated tabloid culture; Kutcher's replacement somehow sustained ratings defying expectations.

[A] American Dad! | Roger's personality count surpasses episode total; MacFarlane voices hundreds of distinct alien personas meticulously.

[B] The Love Boat | Pacific Princess transported celebrity guests weekly; Stubing's crew orchestrated romantic encounters sailing exotic destinations.

[D] Cheers | Boston tavern finale obliterated Super Bowl viewership; Sam and Diane's romance remains television's quintessential will-they-won't-they template.

[C] Big Bang Theory | Ensemble refused individual negotiations; unified stance secured million-dollar salaries emphasizing collective bargaining power.

[A] The Donna Reed Show | Stone vacuumed in pearls representing impossible domesticity; wardrobe coordination obsessed over matching family aesthetics perfectly.

[C] Andy Griffith Show | Sheriff Taylor policed Mayberry unarmed; Griffith demanded wholesome values required zero weapons onscreen.

[B] The George Burns and Gracie Allen Show | Burns pioneered meta-comedy addressing audiences directly; Gracie remained delightfully trapped inside fictional reality completely.

[A] Will & Grace | Groundbreaking gay protagonist transformed representation; NBC's gamble paid dividends through sustained audience loyalty.

[B] Beverly Hillbillies | Intellectuals dismissed Clampett's crude antics; mainstream America crowned it decade's highest-rated debut defying critics.

[A] The Simpsons | Springfield's yellow dynasty conquered syndication globally; Matt Groening transformed doodles into television's longest-running prime-time animated phenomenon.

[B] Murphy Brown | Bergen sparred with Vice President Quayle publicly; fictional pregnancy ignited genuine nationwide political controversy unexpectedly.

[B] The Jeffersons | Hemsley's George conquered Manhattan's East Side; television showcased its first prosperous African-American business owner.

[D] The Adventures of Ozzie and Harriet | Nelson family blurred reality boundaries; son Ricky's legitimate music career unfolded onscreen weekly.

[C] King of the Hill | Hank's propane obsession resonated with Middle America; Judge captured Texas suburbia authenticity Hollywood typically misses.

[C] Married ...with Children | Bundy's shoe-selling misery revolutionized family comedy; Fox constructed network credibility around dysfunctional working-class authenticity.

[A] Bewitched | Montgomery's nose-twitch utilized zero camera trickery; facial muscle mastery created signature spell gesture naturally.

[C] M*A*S*H | Finale shattered every viewership record permanently; 106 million witnessed Hawkeye escaping Korean War trauma.

[B] The Danny Thomas Show | Nightclub entertainer juggled stage life with parenting; daughter Marlo absorbed comedic DNA for future feminist breakthrough.

[C] Family Guy | DVD resurrection saved Peter Griffin; Fox discovered merchandise revenue eclipsed traditional ratings metrics entirely.

[C] Frasier | Grammer collected five consecutive Emmy statues; Seattle penthouse elevated sitcom sophistication beyond previous standards.

[D] Happy Days | Fonzie's thumbs-up transcended television permanently; leather jacket earned Smithsonian Institution display honoring cultural impact.