Lyric Drop: Name That Classic Hit! (1)

[B] Do You Really Want to Hurt Me | Boy George wore ribbons in his hair while Culture Club topped charts worldwide, proving that vulnerability sells records as well as rebellion does.

[C] I Will Survive | Gloria Gaynor recorded this disco anthem after recovering from spine surgery, turning personal triumph into the ultimate breakup power ballad for generations.

[D] Hound Dog | Big Mama Thornton sang this first in 1952, but Elvis's hip-shaking version scandalized TV audiences and sold ten million copies by 1959.

[B] Yesterday | Paul McCartney woke up with this melody fully formed in his head, originally calling it "Scrambled Eggs" before finding the perfect nostalgic title.

[A] Midnight Train to Georgia | Originally titled "Midnight Plane to Houston," the song changed transportation modes when Cissy Houston passed on recording it for Gladys Knight.

[C] Every Breath You Take | Sting wrote this stalker's anthem during his divorce, creating the most misunderstood wedding song that still earns him $2,000 daily in royalties.

[D] Love Shack | The B-52's recorded their biggest hit using a $1,000 Kmart keyboard, proving that party vibes matter more than expensive studio equipment.

[A] Rocket Man | Elton John's space odyssey was inspired by Ray Bradbury's short story, launched just months before Apollo 17's final moon mission concluded.

[C] Stayin' Alive | Medical professionals use this disco beat to teach CPR compressions because its 103 beats per minute perfectly matches the recommended chest compression rate.

[B] YMCA | The Village People claimed they never intended gay undertones, though they performed at the actual YMCA branch that inspired their choreographed classic.

[D] We Built This City | Bernie Taupin co-wrote this much-maligned anthem about corporate rock, ironically becoming exactly what it claimed to protest against.

[A] Son of a Preacher Man | Aretha Franklin rejected this song first, later admitting Dusty's sultry version was so perfect she wished she'd recorded it herself.

[B] Highway To Hell | Bon Scott died six months after recording this ironically prophetic title, choking on vomit after a night of heavy drinking in London.

[D] Crazy | Willie Nelson wrote this standard but Patsy recorded it against her wishes, creating her signature song while recovering from a near-fatal car accident.

[C] Dancing Queen | ABBA's only US number one hit was inspired by George McCrae's disco moves, written specifically to capture the euphoria of teenage dancing.

[A] Maggie May | Rod Stewart nearly left this autobiographical tale off his album as a throwaway B-side before it accidentally became his breakthrough international smash.

[B] Billie Jean | Michael Jackson insisted on keeping the distinctive drum pattern against Quincy Jones's advice, creating the sonic foundation for moonwalk history.

[C] Piano Man | Billy Joel based this barroom chronicle on his six-month stint playing under the pseudonym Bill Martin at a Los Angeles cocktail lounge.

[A] Hotel California | The mysterious hotel has sparked countless theories, though Don Henley insists it's simply about excess and disillusionment in 1970s Los Angeles.

[D] Brown Eyed Girl | Van Morrison claims he originally wrote this about a Jamaican woman, recording it in just three takes during his first American studio session.

[B] My Girl | Smokey Robinson wrote this for Temptations' David Ruffin about his girlfriend, creating Motown's most enduring love song using simple weather metaphors.

[C] 9 to 5 | Dolly Parton composed this workers' anthem using her acrylic nails as percussion instruments, clicking them together to create the song's rhythm.

[D] Easy | The Commodores' Lionel Richie wrote this smooth ballad in just 45 minutes, creating their first crossover hit that topped both soul and pop charts.

[B] Tracks of My Tears | Smokey Robinson conceived this masterpiece after his guitarist hummed a melody that reminded him of carnival music and circus clowns who smile through sadness.

[A] 1999 | Prince recorded this apocalyptic party anthem in 1982 when nuclear war seemed imminent, somehow making doomsday sound like the ultimate dance floor celebration.