Swiftle: 26-Letter Opener Quiz (2)

[D] Afterglow | The apology anthem where Taylor takes accountability with stunning maturity. That bridge transforms regret into a promise while synths shimmer like morning light after storms.

[B] Bejeweled | Midnights' disco ball manifesto reclaiming your sparkle post-breakup. The elevator scene launched countless Halloween costumes while that beat refuses to let anyone stay sad.

[C] Cardigan | Folklore's comfort item hiding teenage heartbreak in its pockets. Piano keys drip like memories while that video gave us Taylor playing every age simultaneously.

[A] Dear John | Speak Now's most devastating takedown clocking six minutes. That guitar solo cuts deeper than any lyric while nineteen-year-old Taylor invented musical journalism.

[D] Exile | Bon Iver meets Taylor in folklore's saddest duet ever recorded. Two perspectives colliding at metaphorical traffic lights while tissues become mandatory listening equipment.

[A] Fortnight | Post Malone collaboration examining two weeks of haunting. The asylum aesthetic meets typewriter poetry while proving collaborations can match solo brilliance.

[C] Getaway Car | Reputation's Bonnie and Clyde fantasy with betrayal included. Jack Antonoff's production drives faster than any actual escape vehicle could manage.

[B] Happiness | Evermore's masterclass in finding light after endings. The title tricks you into expecting joy but delivers mature acceptance instead.

[D] Illicit Affairs | Folklore's secret meeting chronicle with perfume-stained scarves. The outro escalates from whispers to screams in thirty seconds flat.

[A] None of the above | J remains missing from Taylor's songbook entirely. Even with hundreds of tracks, this letter stays unemployed in Swift's universe.

[B] King of My Heart | Reputation's love declaration with body-as-kingdom metaphors. Those drums hit harder than actual royalty arriving at your door.

[C] Long Live | Speak Now's victory lap celebrating kingdoms built from dreams. Written for her band but became every Swiftie's graduation anthem.

[D] Mean | The banjo-powered Grammy winner answering critics with kindness. Proof that the best revenge involves winning awards while your bully watches.

[C] New Year's Day | Reputation's piano epilogue about cleaning glitter together. The quietest love song proving intimacy lives in mundane moments.

[B] Our Song | Debut album's diary entry becoming country gold. Truck doors and screen doors creating a symphony from teenage summer nights.

[A] Picture to Burn | Teenage sass threatening to tell friends their ex is gay. Radio edited that line but kept all the other burns intact.

[B] None of the above | Q stayed empty until Question...? arrived on Midnights. Before that, this letter watched enviously from the sidelines.

[C] Right Where You Left Me | Bonus track tragedy frozen at restaurant tables forever. Everyone else moved on while one girl ordered death by thousand memories.

[D] Speak Now | The wedding interruption fantasy turned album title. Written entirely solo proving doubters wrong about her writing abilities.

[A] Tim McGraw | The debut single teaching senior boys about emotional manipulation. Country radio met narrative songwriting while trucks got sentimental.

[C] None of the above | U barely exists in Swiftland with just Untouchable. No proper studio originals claim this lonely vowel.

[A] None of the above | V watches from outside the tracklist window. Not a single Swift original starts here, making V very lonely indeed.

[D] White Horse | The fairytale reality check winning CMT awards. Sometimes Prince Charming arrives too late and that's perfectly okay actually.

[B] None of the above | X marks nothing in Taylor's catalog. This letter remains completely Swift-less despite hundreds of songs.

[A] You're on Your Own, Kid | Midnights' growing-up anthem with friendship bracelet origins. From hometown dreams to blood-stained gowns, this track summarizes Swift's entire journey.

[B] None of the above | Z ends the alphabet empty-handed in Swiftville. Even with endless bonus tracks, this letter never got its moment.