Title Patch Crew, Beatles (Part 1)

[C] A Day | This orchestral crescendo masterpiece took 34 hours to record. John wrote the verses about news stories while Paul crafted that dreamy middle section about waking up.

[B] In My | Written mostly by John in 1965, this upbeat rocker features Paul's melodic bassline bouncing against George's jangly twelve-string Rickenbacker guitar throughout.

[A] Strawberry Fields | John's childhood Liverpool orphanage garden inspired this psychedelic gem. Producer Martin spliced two different takes recorded in different keys using varispeed magic.

[D] thing | George's first number one composition proved his songwriting chops. Frank Sinatra called it the greatest love song ever written, showing respect across musical generations.

[C] Rigby | Paul found the name on a gravestone in Liverpool. The string arrangement features double quartet playing staccato notes that sound deliberately harsh and lonely.

[B] Comes the | George wrote this hopeful anthem during the band's darkest period. His Gibson acoustic fingerpicking pattern creates sunshine even on cloudy British days.

[D] Let It | Paul's gospel-inspired ballad became their final single release. The rooftop performance version captures raw emotion without Phil Spector's later orchestral additions.

[A] Yester | Paul composed this melancholy masterpiece entirely alone. The string octet arrangement makes grown adults suddenly remember their first heartbreak with uncomfortable clarity.

[B] lp | John's cry for assistance became their fastest-selling single. The opening chord contains twelve strings played simultaneously on two guitars, piano, and bass.

[C] Hey | Paul wrote this seven-minute epic to comfort John's son Julian. The "na na na" coda runs four minutes, proving sometimes simple repetition creates pure joy.

[A] Lane | Paul's nostalgic Liverpool travelogue features piccolo trumpet played by David Mason. The barbershop references real places from his childhood bus route adventures.

[D] While My | George brought Eric Clapton to play lead, making everyone behave professionally. The original acoustic demo sounds completely different from the album's majestic version.

[B] I Want | Their American breakthrough hit sparked Beatlemania stateside in 1964. The handclaps were recorded separately because eight hands weren't quite enough percussion.

[C] Come | John's mantra-like anthem closes Abbey Road's medley magnificently. Each vocal line enters separately, building layers like a musical conversation between old friends.

[B] We Can | Paul's optimistic rocker features prominent cowbell and harmonium. Jane Asher inspired this relationship advice sung with conviction despite their eventual breakup.

[D] bird | Paul's nature metaphor for racial struggles uses only acoustic guitar, vocals, and bird sound effects. Some radio stations banned it thinking hidden messages existed.

[C] A Hard | That opening chord remains music's most analyzed sound. George Martin played piano while everyone else hit guitars simultaneously creating harmonic mystery.

[A] Wood This | John's affair confession disguised as furniture store narrative. George's sitar playing introduced Indian instruments to Western pop music permanently.

[D] Ticket To | Their first recording using double-tracking on John's voice. The cowbell and tambourine create locomotion mimicking actual train movement sounds.

[A] She Loves | The "yeah yeah yeah" hook conquered planet Earth instantly. Ringo's drum pattern stays simple yet absolutely perfect for teenage dance parties.

[C] Lucy In | Julian's nursery school drawing inspired John's kaleidoscopic imagery. Despite rumors, the initials spelling LSD were genuinely coincidental according to everyone involved.

[B] olut | Two versions exist: single's backwards loops versus album's slower blues. John wanted sonic chaos representing society's upheaval through avant-garde studio experimentation.

[A] Paperback | Paul's character study of aspiring novelist came quickly. The French-influenced melody proves his versatility beyond rock into sophisticated pop territory.

[D] And I | Their first American chart entry showcased close harmonies. The middle eight modulation upward creates emotional lift matching lyrical devotion perfectly.

[C] With A | Ringo's showcase moment required multiple takes for confidence. Joe Cocker's cover version transformed this gentle tune into gospel-rock anthem gold.

[B] Sgt Pepper's | The fictional band concept liberated them creatively from expectations. Recording took 700 hours over five months, revolutionizing studio possibilities forever.

[C] There and | Paul's love letter features intricate vocal harmonies throughout. The bass line walks melodically while guitars shimmer using volume pedal effects.

[A] I Saw | Their live show opener captured teenage excitement perfectly. Paul's bass playing shows early McCartney melodic genius even in simple rock arrangements.

[D] Got to | John's Dylan-influenced folk confession features flute solo. The all-acoustic arrangement marked departure from electric guitars showing artistic growth.

[B] All You | Their global satellite broadcast reached 400 million viewers. The simple message required complex orchestration featuring full orchestra plus friends singing along.