Title Patch Crew, Beatles (Part 2)

[D] Get | Billy Preston's electric piano transformed this rooftop concert favorite. The single credits "The Beatles with Billy Preston," their only shared billing ever.

[C] Buy Me | Opening with that attention-grabbing drum roll, this track races by in under two minutes. Paul's walking bassline keeps everything moving at breakneck speed.

[D] Twist And | Originally by the Isley Brothers, John's raspy vocals turned this into Hamburg club gold. His throat-shredding performance required multiple honey-and-lemon breaks.

[C] I Am | John's nonsense wordplay confused everyone including himself later. The BBC banned it for mentioning knickers, missing the Lewis Carroll references entirely.

[A] Back In | Paul's Beach Boys parody opens the White Album explosively. The jet airplane effects were created using actual tape loops recorded at Heathrow.

[B] Prudence | Written for Mia Farrow's sister during Indian meditation retreat. She wouldn't leave her room, inspiring John's gentle coaxing through song.

[B] Across The | John's cosmic poetry features backwards vocals and bird sounds. Phil Spector's orchestral version differs vastly from the stripped "Naked" version released later.

[A] For No | Paul's bass virtuosity shines through this Motown-inspired groove. The punchy brass arrangement came from session musicians sight-reading Paul's hummed parts.

[C] Looking Through | John's acoustic transparency about relationship dissolution hits hard. The sparse arrangement lets every bitter word land with uncomfortable honesty.

[D] Days A | John and Paul wrote this together eyeball to eyeball, their old collaborative magic returning briefly. The handclaps give it skiffle band energy.

[A] Drive My | Paul's piano pounding drives this innuendo-laden rocker forward. The "beep beep" vocals were added when they forgot the original words.

[B] Got To | Paul's love song to marijuana disguised as romance features Motown horns. The brass section recorded their parts without knowing the true inspiration.

[D] Slumbers | Paul's lullaby for sleepless nights uses string orchestration beautifully. The harp glissandos create dreamlike atmosphere perfect for drifting away peacefully.

[C] Seen A | Paul wrote this on location during film shooting. The Latin rhythm showcases their versatility beyond standard rock beat patterns.

[A] Helter | Paul's attempt at creating the loudest, rawest sound possible. Ringo's blistered fingers and screaming about blisters made the final cut.

[D] All My | Their first original B-side showed growing confidence as composers. The harmonica returns from earlier recordings, adding nostalgic Liverpool flavor.

[B] Magical Mystery | Paul's experimental TV film concept confused British audiences on Boxing Day. The psychedelic bus journey lacked plot but delivered visual imagination.

[C] Tomorrow Knows | John's Tibetan Book of the Dead inspiration created sonic revolution. Backwards guitars, tape loops, and Leslie speaker effects birthed psychedelic recording.

[A] Long Winding | Paul's orchestral ballad became their final released recording together. Phil Spector's lush arrangement angered Paul, preferring his simpler vision.

[B] I'll Sun | George's first recorded composition shows his early melodic gifts. The harmonica solo gives it that early Beatles Hamburg club sound.

[D] I'm Sleeping | John's fingerpicked acoustic gem recorded solo at dawn. The vulnerability in his voice makes this intimate confession absolutely heartbreaking.

[C] Tax | George's anti-tax protest rocks harder than expected financial commentary. The Batman theme guitar riff shows their humor amid frustration.

[C] Carry Weight | The Abbey Road medley centerpiece features all four singing together. Their final group vocal recording captures bittersweet farewell energy perfectly.

[B] Better | Paul's optimistic anthem sounds eternally hopeful despite band tensions. The "nah nah nah" ending accidentally created singalong magic for generations.

[D] End | Their philosophical farewell statement features Ringo's only drum solo. Paul, George, and John traded guitar solos, their final musical conversation preserved.

[A] I Fine | The feedback ending accidentally discovered during recording became intentional. This early experiment with controlled feedback influenced countless guitarists afterward.

[A] Never Money | Abbey Road's sarcastic capitalism critique features great harmonies. Recording it after their business disputes added extra emotional punch.

[D] Is Gun | Three song fragments merged into one bizarre masterpiece. The title came from Peanuts comic strip about Snoopy's security blanket.

[B] The The | Paul's isolated genius character study uses recorder and harmonicas. The spinning camera effect in the promotional film made viewers dizzy.

[C] The Before | Originally titled "On the Bed," this rocker chronicles anticipation. The harmonica solo channels Bob Dylan's influence on their evolving sound.